Just in, we have this gorgeous Victorian Masonic Sardonyx signet ring set in 15ct yellow gold. Sardonyx is a hard stone, which makes it difficult to engrave, but seemingly not for the craftsmen of antiquity. This ring has a simple elegant design, and can be worn by both gents & ladies.
Circa: 1880s
Design Period: Late Victorian
Gemstones: Sardonyx Hardsone
Cut: Oval
Metal: 15ct Yellow Gold
Finger Size: J
Accompanied by an Independent Ian Abeshouse Valuation
Resizing: When purchasing a ring from us online, please make a note of your finger size in the 'Special instructions' on your 'Cart' page.
Victorian Period (1837 - 1901):
The Victorian Period defined by none other than Queen Victoria herself, had three stages - the Romantic, the Grand and the Aesthetic.
The Victorian Period defined by none other than Queen Victoria herself, had three stages - the Romantic, the Grand and the Aesthetic.
It was during the Romantic era that Queen Victoria married her Prince, Albert. Sentimental motifs such as; hearts, lover’s knots, flowers, bows, crescent moons and particularly serpents (which was subject to Queen Victoria’s engagement ring which represented enduring love) became extremely popular in jewellery design. Cameos, Enamelling and the use of bright coloured gemstones such as; garnets, amethysts, turquoise, pearls and diamonds gave way to the creation of jewellery that was beginning to speak a symbolic language of its own.
The Grand era was a sombre period which saw Queen Victoria mourning the death of her beloved husband Albert. It encompassed 20 years during which time Victoria would only wear black and mourning jewellery. As a result the Whitby Jet industry flourished and onyx and deeper coloured garnets rose in popularity. Rings, lockets and brooches were commissioned with compartments for a lock of a loved one’s hair and were often engraved with the person’s name, age and date of death.
The Aesthetic era saw a return to the light-heartedness of the Romantic Era. The discoveries being made through archaeology led to an Etruscan Revival with Greek, Roman and Renaissance influences becoming apparent in jewellery design as well as symbols of good luck and fortune.
